~~ Henry Wadsworth LongfellowThere was a little girl,
Who had a little curl,
Right in the middle of her forehead
When she was good,
She was very good indeed,
But when she was bad she was horrid.
She was cute, although
Her favorite word was NO
She shouted it often and loudly
Her mother sat her down
And said, with quite a frown,
“Daughter, you do NOT do me proudly.
“I know this sounds absurd
But could you choose another word
One without such negative implication?
If you can’t do that for me
I’m afraid that you will be
Quite lonely when we leave you for vacation.”
“NO” formed on her lips
As she planted hands on hips
Then she looked to see her mother really meant it
So she took a deep breath in
(And grinned a little grin)
Saying, “I will do my best to prevent it.”
Such an eloquent little girl!
Complete with little curl
Right in the middle of her forehead
She gave up shouting “NO”
And with sweet face quite aglow
She shouted words that were even more horrid
This is my submission for the W3 Challenge this week. Poet of the Week Violet (Congrats, Violet!) gave me the kind of challenge I love — a story poem. However, I did not follow all her guidelines. Here’s what she said:
Tell a story in verse—true or imagined, rooted in memory or invention. Let it unfold in a place you know well or one you’ve only dreamed of.
You can let the voice guiding the poem speak in a dialect—regional, ancestral, invented, or intimate. Let that voice shape the rhythm, grammar, and soul of the piece. Whether it’s Appalachian twang, Mandarin-inflected English, Nigerian Pidgin, or your grandmother’s Russian-accented Hebrew, the dialect is not a flourish—it is the storyteller.
While this use of dialect is optional, it’s highly recommended. Give us a poem that walks and talks in its own shoes.
I DID tell a story. However, I didn’t use a dialect. Trust me, this is good — my original attempt was to write a poem in Pig Latin.

