poetry

Longing

The world is too much with me. Go away!
Ah — to be untethered from my phone
Walk in the woods and hear trees creak and groan
Or on the beach to feel the ocean’s spray

Instead I’m at its beck and call all day
Unless, of course, I chance upon a zone
That’s “dead” — and then (what pity!) I am thrown
To MY devices! Yes — for this I pray!

Perhaps I should “forget” my phone at home
When I go off upon my next vacation
I might find time to sit and read a tome
Goodness! This is such a real temptation!
Maybe I could even write a poem
Tempting. Oh-so-tempting — that cessation


I am humbled to say that my poem, Monongahela, led to me being chosen as Poet of the Week for the W3 Challenge. That meant that I got to choose the challenge for this week.

First, I was stunned to be chosen. And grateful.

Second, I was faced with The Challenge challenge.

Recently, I woke up one night with the words of a Wordsworth poem running through my head. As I told David, the keeper of the site that hosts the W3 challenge, it’s not totally unusual for me to wake with a poem in my head, but it’s almost always e.e. cummings who haunts my dreams. Strange, but true.

Anyway, I said to David, “Let’s use the Wordsworth sonnet as inspiration.” And that’s what the challenge turned out to be. He wrote:

William Wordsworth wrote “The world is too much with us,” and honestly… same. The holidays tend to sharpen that sense of disillusionment with materialism.

Below is Wordsworth’s sonnet. Choose one phrase from it and steal it—boldly and poetically. Weave the phrase into your own poem in any way you like; it should be recognizable, but the poem should be yours.

Your poem doesn’t need to be a sonnet, but in a nod to the form, limit yourself to 14 lines or fewer.

‘The World Is Too Much With Us’ by Wordsworth

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;—
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
It moves us not. Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.

poetry

Monongahela

Home built into hillside
Limited where she could go
The little girl stood on the deck
And watched the water flow

“She doesn’t talk!” her mother wailed
And true, she spoke not a word
But watched the river morn ’til dusk
Adults found this absurd –

“Can you say Dada,” her father said
Hoping to break through
“How ’bout Nana,” Grandma said
But she ignored that too

The water flowed. It churned and toiled,
Dirty brown below her
One year passed, then two, then three
Still mute – no one could know her

Then one day, as the river flowed..
Her mother said, “I feel a –“
But her daughter interrupted her
And said, “Monongahela.”

Her mother stopped. Her mother stared.
“What did you say, dear daughter?”
“Monongahela,” said the girl.
“That’s the name of the water.”

From that time on she talked and talked
’bout turtles, carp and bass
And muddy water, boats, and birds
That she had watched go past

Monongahela — what a name
She said it o’er and o’er
The water she had watched so long
That flowed below her door.


Violet (the Poet of the Week for the W3 challenge) said, “Choose one of these three artworks and let it take you wherever it wants. Write whatever it stirs in you — a memory, a question, a scene, a poem.” She had three pieces posted, but I chose Pittsburgh People – (1942) by Reynold Weidenaar.

My sister used to live in Pittsburgh. I remember going to visit her and taking my kids to ride the incline, a cable-car-train thing that had originally been used to transport workers up and down the steep slope.

Pittsburgh also has three rivers — the Allegheny and Monongahela converge to form the Ohio. They were there at the bottom.

Monongahela is just a fun word to say, though. And Violet said, “… whatever stirs in you.” Monongahela.

Life

The Usual

Karen used to come to our table to take our order.

“How about you?” she would say when it was my turn. “The usual?”

The usual, for me, was a turkey reuben with sweet potato fries. It was something I always enjoyed and one less decision that I needed to make when I was at the restaurant with my father.

We ate at the Doubleday every Thursday night during the last few years of my father’s life. It’s like the bar Cheers from the old television show. Good pub food. Everybody knows your name.

Karen was our waitress. The night that my father died, some of my children went to the Doubleday to tell Karen. She was practically part of the family. She knew that what my father needed even more than the burger he often ordered was a hug when he arrived and when he left. And she delivered, with a kiss on the cheek.

The Doubleday is still my favorite restaurant in town. Karen is still the waitress who usually serves us. However, I don’t order the turkey reuben often. Now I have the luxury of looking at the menu or choosing from the specials.


This is my submission to Linda Hill’s Stream of Consciousness Saturday. The word was “usual.” I read it and knew exactly what to write about.

I’m struggling to write these days though. Can you tell?

poetry

Gas Gauge

Hey, look! You’re full
I’m holding my arm up high
You put that gas in and I pull
Up to the “F” — up to the sky

Okay — I’m not there anymore
You drove a bit, the gas level is down
But hey! That’s what I’m for!
So you don’t hit empty driving ’round!

’tis such a simple task that I perform
Positioning myself in such a way
From “F” to “E” – yes, I inform
How many miles you can go today


This is my response to this week’s SoCS challenge: use full/empty in a post.

The idea was very stream-of-consciousness, but I confess, I didn’t write the post without any edits. Rhyming poems take an edit or two.

This is also my response to this week’s W3 post which challenged us to write a poem with a subject that “must be an unimportant, non-emotive object that carries no nostalgia, metaphorical uplift, or symbolic gravitas. It simply is.” I’d say the gas gauge on my car fits the bill.

Life · poetry

Framing a Moment

Look. Take a snapshot and frame a moment:
[The deer too near the road frozen in fear]
[Tourist on black tarmac, the bestowment
Of a lei, Hawaii’s first souvenir]

A magnifying glass serves as a frame
That convex lens enlarging [blades of grass]
If dry, the grass might swiftly burst in [flame]
[The magnifier aims sun rays en masse]

I can make [a frame with fingers and thumbs]
And raise them high, see [bits of sky and cloud]
[Wispy white] turns [thunder gray] as [storm comes]
See [lightning flash], hear thunder crash too loud

The best of poems (I think you’ll agree)
Capture something intangible and small
A dumb thing overlooked you wouldn’t see
Unless there was a frame that brooked it all


This is my response to this week’s W3 Challenge. The Poet of the Week instructed us to write a poem that utilises internal rhyme where possible and keep the length between 8 and 16 lines.

poetry

Mashed Potatoes and Gravy

Is there comfort in a lump,
Or something that is lumpy?
Lumpy screams out IMPERFECTION
Or something that is dumpy

Lumpy gravy is the worst
I think most would agree
But lumps in mashed potatoes
With smooth gravy? HARMONY!


This week’s W3 challenge is to write about a food or drink that brings you comfort.

  • Form: Any
  • Length: Up to 24 lines
  • Include: The word “comfort”

Last night I went out to dinner with a friend. One of the sides that came with my dinner was mashed potatoes with gravy. The potatoes were lumpy — and I loved it.

poetry

Fog

The fog on little cat feet creeps
Hunting, hunting for some prey
The bustling world, not busy, sleeps
The fog pea-soups as it nears day

Unaware of imminent danger
Deer are swallowed up quite whole
Then it gets even stranger
As fog moves up and down the knoll

A flock of turkeys — gobbled down!
Now I see a wayward pup
Disappear — I’m looking ’round
Sun battles fog to come up!

Tall trees battle, disappear
Birds of every shape and size
So many things that were just here
Meet fog-filled fearsome demise

In my heart alarm is growing
Could I possibly be next?
I think it best that I get going
If I’m swallowed, I’ll send a text.


This is my response to this week’s W3 challenge where we are asked to write a poem of any form, no more than 240 words, that weaves a mystery—delightful or frightening—into its lines. Further, we are asked to have landscape and/or weather be a character in our poem

I happen to love the foggy mornings we’ve been having here. The fog is beautiful and mysterious.

Also, the first non-kid poem that I remember memorizing was Carl Sandburg’s poem, Fog, which begins “The fog comes on little cat feet” — hence the first line.

poetry

To a Coffee Mug

You hold so much filled to the brim
Morning hope, solace, peace
Unfortunately these days are grim
You hold so much filled to the brim
In you I find grim’s antonym
One soothing sip brings release
You hold so much filled to the brim
Morning hope, solace, peace


This week’s W3 challenge is to write a Triolet about something ordinary.

What’s a Triolet? It’s an 8-line poem where lines repeat in a beautiful rhythm:

  • Lines 1, 4, and 7 are the same, and lines 2 and 8 are also repeated.
  • The rhyme scheme looks like this: ABaAabAB (uppercase = repeated lines).

I start every day reading and drinking a cup of coffee. It sets my day right.

Blather · Life

Before HIPAA

I’ll admit — it’s a semi-irrational fear that I have of getting a fishhook stuck through my skin.

It may date back to the days when my father’s office was just off the Emergency Room. HIPAA hadn’t been born yet. I would cut through the Emergency Room to get to his office.

Which was a trailer.

Yes, it’s what you picture — the kind of structure that fills trailer parks.

When I got into the trailer, his office was on the left, opposite his secretary’s desk. Sometimes she was transcribing his dictated notes and would let me listen to his voice on the transcription machine as he said things like, “The patient was a white female, age 47, who presented with…”

Clearly another HIPAA violation. But HIPAA wasn’t a thing then. And I wasn’t paying attention to the words as much as his voice.

True story: These days I recognize people by their voices. More than once I would have walked right past my high school boyfriend had he not greeted me by name.

The other day, another person that I knew years ago walked past me and said, “Hey, Sal!”

The words got my attention, but the voice identified the speaker. I immediately knew him.

I mean, seriously, most men over the age of 70 look remarkably similar to me: gray hair or balding, scruffy beard, blue jeans, etc. Add a baseball cap and I’m sunk — until I hear their voice.

But I digress. I guess that’s how it is with stream-of-consciousness writing.

So, as a kid, I would cut through the Emergency Room on a daily basis. My pattern was to swim at the gym after school and walk to the hospital for my ride home. I would wait for my father to finish his day and we would walk together to his vehicle which was ALWAYS parked in the farthest spot available.

“It’s good exercise,” he would say as I complained about walking to the car.

One time, I saw one of my classmates in the ER. He had stabbed a pitchfork through his foot. Actually, through his work boot, and his foot, and out the other side. He was crying and cursing, obviously not having a good day.

I remember his name — but I won’t say it here. HIPAA and all that, you know.

The fishhook thing must date from those days. I think I saw someone in the ER with a fishhook in their cheek.

My father said, “They’ll just push it through and cut the barb.”

He made it sound easy.

But then, he didn’t have a fishhook in his cheek.

I remember my father explaining to me how the manure pitchfork through the foot presented a particular problem because of the risk of infection. Should they just pull it out? Cut the tip and pull it out? I think that’s what they did.

It doesn’t matter. The prompt for Stream of Consciousness Saturday wasn’t pitchfork. It was hook.


I can’t decide if I like stream-of-consciousness writing or not. It feels like a bunch of blather.

What do you think?