family · poetry

First Kitten

“Can I have a kitty?” itty-
bitty me asked my father — rather,
my mom put me up to it. It
seems that she knew new
kitten would equal no. No,
unless she rigged the odds. Odds
are he would say yes to me, mea-
ning I asked, pleading, “Yes?” — “Yes.”


Ichibon — Ichi + bon — Japanese for Number One — our first cat

We were on an army base at the time. The family with the kittens had recently come back from Japan.

How could my father say no?

This is my attempt at an Echo Poem, this week’s W3 Challenge. An echo poem repeats the ending syllable (or syllables) of each line. That’s it. No strict rules about meter or length.

Life · poetry

Never Assume?

This is my response to this week’s W3 challenge: write an alphabet poem

We had two options: 26 words (which I did) or 26 lines.


Assume
Question
Guess
Look
Notice
Unearth
Examine
Scrutinize
Ponder
Weigh
X-ray
Open, Close, Test
Build
Zero in
Deliberate
Know
Verify
Judge
Misjudge
Reconsider
Hope
Yield
Forgive


Never assume, because it makes an ass out of ‘u’ and ‘me

poetry

Earthworms, Sea Pigs, Hoverflies, and Sally

You hide, avoiding spotlight and regard,
Let others have their moments in the sun
Small talk, large groups for you are both quite hard
Thus you oft eschew the words, “Well done”

What creature, then, can I compare with thee?
An earthworm making soil in the dirt?
Or detritivore cleaning up the sea,
Hard-working anti-social introvert

A hoverfly works hard to pollinate
The lovely flowers everyone enjoys
Yet no one pauses to appreciate
The busy flying workers of no noise

Some people never see, will never know
The one who does, and doesn’t seek to show


W3 Challenge this week: write a love sonnet to yourself.

Let this line guide you:

There is in you something that waits and listens for the sound of the genuine in Yourself … that is the only true guide that you will ever have.— Howard Thurman (1899 – 1981)


For Christmas, my brother gave each of his surviving siblings a mug with a QR code on it. My QR code leads me to a trivia question each day. My sister gets the bird of the day. Another brother learns a little history from his. The gift-giving brother learns about an unusual creature each day. The other day his creature was a Sea-Pig:

This high definition video framegrab was taken from MBARI’s ROV “Doc Ricketts” aboard the R/V Western Flyer at a depth of approximately 1260 meters on March 9, 2010.

Scotoplanes globosa, commonly known as the sea pig, is a species of sea cucumber that lives in the deep sea. It is considered a detritivore, or something that eats detritus, decaying organic matter. These kinds of creatures are crucial to the ecosystem, but we seldom consider them.

Out of sight, out of mind.

They probably like it that way.

I know that I do

poetry

Elusive


Oh, to pocket time
It flies one season to next
Simply catch a star


This is my response to this week’s W3 challenge which is to create a haiga by pairing a haiku (traditionally about nature) or senryu (traditionally about human foibles) with a visual art form of my choice. The theme: the long-awaited shift from winter to spring.

I think this is a senryu? It is a human foible to think we can control time, right?

The artwork is a little self-indulgent. It’s a collage I made at Christmas. I also made a few ornaments along the same theme, but never did anything with them.

Front — Catch a falling star
Back — Put it in your pocket
poetry

Erasure Poems

The W3 challenge is: let’s write erasure poems.

“Erasure poetry, also known as blackout poetry, is a form of found poetry wherein a poet takes an existing text and erases, blacks out, or otherwise obscures a large portion of the text, creating a wholly new work from what remains.

“You might begin with an existing text or poem and shape something new by removing words, or write your own piece and then erase portions of it to reveal another layer. You could even place a poem over a work of art and present it visually as an erasure.”

When my oldest brother passed away, I found a couple of books where he had been doing this — blacking out whole pages and only leaving one or two words. It was fascinating. But, then, my oldest brother was literally a genius.

I don’t know what the heck I’m doing with this. Clearly.

I muddled through books yesterday and today trying to come up with something.

Here’s one:

Al
e
x
pre
tti
fought bravely
Can you see him?
Who is he?


Then I put in this (less than) valiant effort:

I do not know
I do not know
Do you know?
No, said the farmer’s wife

Do you know?
Why yes, I know

I know
Do you know?
I am going away
all alone
Good-by!


What does it all mean? I’m with the farmer’s wife. I do not know.

poetry

True Story

Warm
My lap
Come sit here
Let me stroke you
Let me run my fingers all over you
You nibble on my fingers while I do
Yes, you want more
I feel it
My dear
Cat


This is my response to the W3 prompt and to the JusJoJan prompt which is prompt.

This week’s prompt for W3 is to write a Double Tetractys — a 10-line poem with a fixed syllable pattern.

Theme: something spicy or a little naughty. Keep it suggestive rather than explicit. Let tension, humor, and implication do the work.

Double Tetractys is made of two Tetractys poems joined together:

  • The first five lines build up
  • The next five lines mirror them in reverse

Syllable pattern (per line):

1 / 2 / 3 / 4 / 10 / 10 / 4 / 3 / 2 / 1



Yes, I have a friend with a cat that can’t get enough of me. She sits beside me, on me, nibbling at me. It’s love.

poetry

First Loves in Poetry

The fog comes on little cat feet
Highwayman comes riding
First loves
In poetry become heartbeat
This love is abiding
Because

The moon’s tossed upon cloudy seas
And meanwhile the wild geese
Fly home
i thank you God, for rhymes like trees
That become gentle breeze
Poem


This week’s W3 challenge is to write a Memento — a poetic form created by Emily Romano. A memento poem captures a holiday, anniversary, or meaningful moment held in memory.

The poem is written in two stanzas. Each of the two stanzas follows this syllabic pattern:

  • Line 1: 8 beats
  • Line 2: 6 beats
  • Line 3: 2 beats

This pattern is repeated once per stanza, for a total rhyme scheme of a / b / c / a / b / c in each stanza.


True story: I wrote a Memento poem about what I thought was the first poem that I ever wrote. My mother had saved the paper witten in my blocky large first grade printing. She told me that it was the first poem I wrote. I always thought it was a pretty darn good poem for a six year old.

Then I fact-checked my mother this morning. I did NOT compose that poem. Oh, I wrote it on a piece of paper and got a gold star from my teacher, but it was not my original words. [sad face]

So, I tried to remember when my love affair with poetry began.

It was probably One Fish, Two Fish by Dr. Seuss. He still influences my writing.

But Carl Sandburg’s poem Fog is the first stand-alone, non-nursery rhyme, non-Dr. Seuss poem that I remember loving.

I memorized The Highwayman by Alfred Noyes a few years later. That was the beginning of my love affair with story poems. We had a book of story poems that included Casey at the Bat and The Cremation of Sam McGee, but I loved the melodrama of The Highwayman.

I found that story-poem book in a box recently. It was in sad shape. Such is the fate of much-loved books.

So what was the first poem I ever wrote? I have no idea.

poetry

The Cave

The shadows flicker on the walls

Distorted images, truths, faces, facts
They grow, shrink, grow again, moving all the while

What am I seeing?
What is true?
I must escape this cave…


This song, The Cave by Mumford and Sons, has long been a favorite of mine. When it was in its auto-repeat phase for me, I was fascinated by the lyrics.

What does it mean to “Come out of the cave walking on your hands”? I looked it up. Those lyrics are a reference to both Plato and St. Francis of Assisi, who both sought to understand life.

The song challenges us to look at the world differently.

While not using the word “philosophy”, it IS a response to Sadje’s JusJoJan prompt: philosophy.

It’s also my attempt at a Cherita, the W3 challenge for this week. Cherita is the Malay word for story or tale.

A traditional cherita unfolds in three verses, each growing in length:
Verse 1: one line
Verse 2: two lines
Verse 3: three lines

poetry

The Old Homestead

I grew up in this old famhouse. Here
I stumble over memories
Stub my toe on them even
Sorting is quite daunting
This house is haunting
Daily I try
To get one
More box
Done


This is my response to TWO prompts!

The JusJoJan prompt for the day is stumble.

The W3 prompt is: Write a Nonet about the new year — 2026. How does this year feel to you so far? Are you hopeful, uncertain, energized, reflective? Have you set any goals or intentions? Are there resolutions you’re excited (or nervous) about? My goal for the new year is to wrap up dealing with my parents’ estate.

poetry

Brrr…

But —
But what?
But you’re wrong
Yeah? And I’m King Kong
That doesn’t make you right
You wanna fight?
Ok, tell me how you figure
That minus five is bigger
Than minus two
That’s easy to do!
You think you’re smarter ‘cuz you’re older
But minus five is clearly colder


This is my response to this week’s W3 challenge:

Write a poem (up to 20 lines) as a conversation, text thread, or inner dialogue. Let the two voices go back and forth — negotiating, hesitating, contradicting — but never quite landing on a plan. Play with repetition and everyday details to build tension and show who these people are. Slip in small observations that make the moment feel real. And when you get to the end… leave it unresolved.”