fiction

September 2024

“I’m sorry,” she said. “I can’t see you tomorrow.”

“You’re calling off our Wednesday date?” he asked. “We’ve been having dinner every Wednesday for eight months!”

“I know,” she said. Her voice was small. “I just can’t tomorrow.”

They walked in silence.

“Are you going to tell me why?” he finally asked.

She didn’t answer. “I’ve got to go,” she said abruptly and turned around.

He watched her walk away and pressed his lips together.

He started to call her that night, but changed his mind.

He thought about her all the next day. He knew that he shouldn’t, but he went to her house after work and stood in the shadows of the alley across the street, trying to think what to do.

She came out, dressed in a stunning dress. She didn’t see him as she walked past the alley, but he could smell her perfume. She had only worn perfume one other time that he could remember. Clearly, this was a special occasion.

He followed from a distance, walking up the hill to the cemetery. He lost sight of her, then heard her voice. “I miss you so much. I love you.”

But he found her alone. She was startled.

“Who are you talking to?” he asked.

“M-m-my husband,” she stammered and started to cry. “He was in New York on business on 9/11. I never got to say good-bye. Every year I try to.”

He wrapped his arms around her.

“I still can’t,” she said.

This is my submission for the Unicorn Challenge. It’s a simple challenge — write a story of no more than 250 words based on the photo.

poetry

The One that Got Away

Do you remember that fish?
The one that got away?
Yeah — that humongous one
That amazing summer day

Oh yeah — do I remember!
That battle ‘twixt you and it
?
You were so gol’darn mad
You said that you could spit

[He laughed a hearty laugh]
Oh, man, yes, you are right!
The one that got away
’cause it put up such a fight!

[So, the both of them chuckled
As they stared into the sky
And nibbled on summer timothy,
Then heaved a mighty sigh]


Yes, this is my own submission to my own W3 prompt.

A few weeks ago, I went with a friend to the Arkell Museum in Canajoharie, New York. They had at least 20 Home Winslows as part of their collection!

If you’ve never been to (or heard of) Canajoharie, let me tell you, it’s a tiny town on the Mohawk River in upstate New York. When I was a kid, we went on a field trip to the Beechnut factory there, where baby food was processed and made. Some summers later, I worked at a camp in Middleburgh, New York, where I passed Beechnut fields coming and going — beautiful, rich, farming field of whatever produce Beechnut needed.

Honestly, the whole area was/is as idyllic as a Winslow Homer painting.

In Canajoharie, as part of their village library, they have an art museum called the Arkell Museum. That’s where they had this collection of Winslow Homer paintings.

Anyhoo — I had just seen (and been blown away by) Winslow Homer, up close and personal. He made (and makes) my heart ache. Hence the prompt.

Honestly, I love that grew up in, and now live in, rural upstate New York. I don’t think there’s any prettier place in the world.

As far as the big one that got away? — boy conversation since the beginning of time. Right?

fiction

The 7th Wave

“One… two…. three… four…” counted Rory.

“What are you counting?” his mother asked.

“Five… aw, dang, Mom! You messed me up,” he said. “I was counting the waves. Oliver said that the seventh wave is always the biggest.”

“I never heard that, but, okay, I’ll help you count,” she replied.

She stared at the sea and the waves licking the shore. “How do you know which one is one?” she asked.

Rory explained, “I wait for a big wave, then I start counting.”

“There!” his mother shouted. At the next wave, Rory called, “One!”

“Two… three… four,” they counted together.

“Wait,” said Rory, “that was another big one.”

“The biggest?” Mom asked.

His shoulders slumped. “I don’t know. Let’s try again.”

They watched and waited.

And waited.

And waited.

“They’re all small now,” Rory whined.

His mother nodded understandingly.

“There’s a big one!” his mother said, then Rory counted, “One!”

“Two… three… four… five… six… seven… eight… nine,” they both counted.

Rory looked at his mother. “It’s not seven,” he said.

“Where did you hear this again?” his mother asked.

“Oliver,” he replied. “His uncle told him. He’s a surfer so he knows.”

“Hmm,” his mother said. “Let’s try once more.”

After the next big wave, they both counted “One!”

Then together, “Two… three… four… five… six… SEVEN!”

Oliver jumped up and down. “It’s true! It’s true! Every seventh wave is a big wave!”

His mother questioned, “EVERY seventh wave?”

“Yes! Yes! You saw it, right?” Oliver said.


This is my response to the Unicorn Challenge which calls for a 250 word response to the photo prompt.

I’ve been listening to this Skipinnish song on repeat for a while. It’s so hopeful. The name of the album is “The Seventh Wave” and the song references in its lyrics “the seventh wave” so, of course, I looked it up.

Basically it’s not true.

Except when it is.

Go figure.

If this story is fiction but sort of science-y, does that make it science fiction?

fiction

The Interview

“Tell me about this,” the detective said, handing her a photograph.

The woman in the hospital bed studied it, then handed it back.

“I dunno. Just a car,” she replied, and pronounced it “cah.”

“Boston?” the detective asked.

The woman scoffed. “BAH-stin? Gawd, no. That’s not Massachusetts!”

“I was trying to guess your accent,” he replied. “Boston?”

The woman shook her head, trying to remove her confusion with a vigorous shake. When she spoke again, the twang was gone. “No,” she said,”I’m from…” Her voice trailed off.

She looked at the photo quietly, then asked, “Where am I?”

“You’re in the hospital in Glasgow, Scotland.”

“That’s not the driver’s door open, right?” the woman asked, staring at the picture.

“No, it’s the passenger door.”

“Was I driving?” the woman asked.

The detective hedged. “What do you remember?”

She furrowed her brow. “I… I… I don’t remember anything.”

Her English was clipped and clean, practiced, so as not to reveal anything about her.

“What’s your name?”

The woman raised her eyes from the photograph and studied the detective’s face.

“I don’t remember,” she said finally.

“Who were you with?”

“Where were you going?”

“Where are you from?”

“Why are you in Scotland?”

He peppered her with questions; her answers were all the same. “I don’t remember.”

After the nurse left the room, he shut the door and leaned in close to her face. “Listen,” he said, “I know why you’re here, but if you want protection, you’d better start talking.”


This is my response to the Unicorn Challenge. 250 words on the button.

I don’t know why I’m struggling so much with these photographs lately. I kept looking at it and looking at.

I thought about the time I was driving home and had to pull over to throw up (stomach bug). My two youngest daughters had been with me and for months after that, whenever we passed the spot, one of them would say, “Remember that time?” Yes, I remembered.

I didn’t want to write about vomiting though. Instead, I thought the fact that I just started Season 19 of Taggart. I started at Season 1 some months ago. It’s on Brit Box.

poetry

Seasons

From there to here and here to there
From that to this and this to where
From seed on wind to in the ground
New growth, slow growth — changes abound

In winter earth and trees are bare
From there to here and here to there
Snow and ice yield to subtle Spring
Or not-so-subtle — hear it sing?!

As birds return and leaves burst out
Flowers bloom. They whisper. They shout
From there to here and here to there
Summer comes with flamboyent flair

Flaunting sunshine on sparkling lakes
Eagles, herons, doves, ducks and drakes
Some migrate south on cool fall air
From there to here and here to there


This is my response to the W3 Challenge this week — to write a quatern on the theme of transformation.

What’s a quatern, you ask? Well, it has four quatrains (four-line verses). It’s syllabic: each line has eight syllables. It may rhyme, but rhyming is not required. It has a refrain. The refrain of a quatern repeats the 1st line of stanza one (S1) as the 2nd line of S2, the 3rd line of S3, and the 4th line of S4.

I feel my Dr. Seuss influence is showing in this one.

fiction

The Winning Goalie

“Mama, look!” Hank nudged his mother. She sat dozing in the stadium suite in front of the window.

“What? What?” she said, blinking her eyes and shaking her head. “Is the game over?”

“No, Mama, Stefan is playing now. See? He’s right there?” He pointed to a lone figure in front of the goal.

“Where’s the rest of the team?” she asked.

Hank pointed to the mob in front of the other goal. “Down there,” he said.

She watched Stefan shuffle around in front of the goal he was protecting.

He scratched his arm, looked up at the sky, bent down and picked something up off the ground. He shuffled around more, then waved in their direction with a big smile.

Shuffle, shuffle.

She started to doze again, but Hank nudged her. “Look, Mama, the ball is coming!”

The ball WAS coming his way. Stefan straightened up, then crouched a little, hands on knees. He was ready; anybody could see that.

She could hear his teammates shouting: “The ball is coming, Stefan!” “Get ready!” “Pick it up! Pick it up!”

She furrowed her brow. They seemed to be letting the ball advance towards their own goal. The other team didn’t seem to be trying at all.

Stefan bent, picked up the ball, and threw it with all his might.

The final buzzer sounded.

His teammates gathered round him, high-fiving and celebrating.

And the boy with the round flat face and almond-shaped eyes beamed as only someone with Down Syndrome can.


My somewhat late contribution to the Unicorn Challenge.

The Unicorn Challenge is simple: 250 words based on the photo. That’s it.

poetry

In my hand

The nothing weight of a bird
(the word is zero zilch nil)
In my hand, I thought it dead
But its head moved. Later still

The indigo bunting flew
Brilliant blue away on wing
Wonder, marvel, such splendor
I surrender to this thing

This idea that beauty
(nature’s duty) is oft found
In small overlooked moments
Whose components astound

When examined or seen
Like the green praying mantis
Spindly legs folded in front —
A hunt? Or holy practice

The wooly bear in my palm
A psalm of security
As it curls up –in that pose
Choosing to trust surety

I would get it ‘cross the road.
I sing an ode to efts (or
Are they newts?) turtles, toads
Crossing roads. Yes, I adore

The fact that I can hold them
Avoiding mayhem of cars
Moments of peace in my hand –
So grand – if we but stop, ours


This is a Welsh form: Awdl Gywydd (pronounced “ow-dull gee-youth”)

  • Four lines
  • Seven syllables per line
  • The final syllable of the first and third lines rhyme with the 3rd-5th syllable of the following lines
  • The second and fourth lines rhyme.

It’s my response to the W3 prompt this week. Selma Martin (the poet of the week) challenged us to write a poem of any form on the theme of the beauty and perpetuity of the natural world that surrounds you. I am a nature-rescuer, in my own very small way, helping small cross the road on a daily basis, and very occasionally, like the indigo bunting, being surprised at life where I assumed death.

fiction

To the Lighthouse with Virginia and Wolfgang

“Is there anything you don’t know, Mom?” asked Wolfgang, as he walked with his mother along the beach.

Virginia laughed. “There are a LOT of things I don’t know.”

“Like what?” the boy asked.

“Well, I don’t know what I don’t know. I just don’t know it,” his mother responded.

“Hmm…” he thought aloud. “I’m going to figure out what you don’t know.”

He looked at the tall grasses growing along the dune. “Okay,” he said decidedly, “why is grass green?”

She laughed again. “I actually DO know the answer to that one. Plants get their green color from something called chlorophyll.”

She started to explain more, but Wolfie cut her off.

“That one was too easy,” he said. “How about this? Why do dragonflies zig-zag when they fly?”

“They’re catching bugs,” she answered.

“Where do seagulls sleep?”

“You’ve seen them,” she answered. “They group together in an open place and take turns watching for predators.”

“Where does sand come from?”

“Broken up rocks, shells, and dirt pounded by and carried here by the surf.”

“How far away is the sun?”

“93 million miles.”

“How do you know stuff like that?”

“Grammie and Grampa encouraged us all to read. Your uncles and I also liked trying to stump each other with trivia. I like to learn.”

As they approached the lighthouse, Wolfie asked, “Why does that lighthouse not have a top on it like other lighthouses?”

“You know,” she replied, “I don’t know. Let’s go ask someone and find out.”


Exactly 250 words for this week’s Unicorn Challenge.

The challenge is so simple: write no more than 250 words and base it on the photo.

Easy, right? Unless, of course, you have no idea what the picture is. I tried and tried to figure out what this is.

Can you tell me? Is it a lighthouse? Where’s the lens?

This is the lens in the one lighthouse (Ponce Inlet Lighthouse) I walked to the top of with my grandsons on vacation this past February.

And this is the lighthouse.

Faith · poetry

In Church

Praying in a pew on well worn kneeler
Darkness flickers while light streams
Sinner. Beloved. Which?

That shadow in the back — did I see something?
Tiny glimpse of disquiet
Lurking, lurking, lurking

Yet, there is light casting rainbow colors
Through tow’ring stained glass windows
Overwhelming peace

Praying in a pew on well worn kneeler
Tiny glimpse of disquiet
Overwhelming peace


This is my response to this week’s W3 challenge — to write a Garland Kimo on the theme of good vs evil.

The ‘Kimo’ is a short syllabic poetic form of three lines. The syllable count per line is 10/7/6.

Also, the kimo is focused on a single frozen image (kind of like a snapshot). So it’s uncommon to have any movement happening in kimo poems.

The ‘Garland Kimo’ is a series of four ‘Kimo’ verses, in which the fourth Kimo verse is composed of lines taken from the previous three Kimo verses, using the 1st line from the 1st Kimo, the 2nd line from the 2nd Kimo, and the 3rd (last) line from the 3rd Kimo.

    fiction

    The Ultimate Exile

    She noticed the token on the platform and picked it up, slipping it into her pocket before boarding the train.

    Once seated, she closed her eyes and replayed her day. God, she needed to get away. Glasgow may be one of the world’s friendliest cities but today she needed to get far away.

    She felt a vibration in her pocket and pulled out the token. It was glowing, an eerie pearly white. She tried to read the words but the characters weren’t familiar.

    The train ticked, hummed, click-clacked. She closed her eyes, holding the token, and thought, I should just go to London.

    She opened her eyes at the squeal of brakes as the train eased to another stop. Her brow furrowed at the symbol outside her window: a red circle with a blue line. The Roundel.

    Wait — what? London?! No-no-no-no-no-no!

    If she really wanted to start over, she needed to go to a new continent.

    The token vibrated. The doors swooshed shut and the train left the station, plunging into darkness. Clackety-clackety-clackety. Again she closed her eyes. Again she opened them at the squeal of the brakes.

    Times Square — 42 Street Station.

    New York. No, she thought, farther. The train unexpectedly lurched out of the station. The token flew from her hand. Darkness.

    When it stopped again, she had no token. She looked at the other passengers. Their green skin tone and oddly-shaped heads told her. She WAS far away — and now with no way back.


    This is my rather tardy response to this week’s Unicorn Challenge. The Unicorn Challenge seems so simple, just 250 words based on the photo. Yeah. Right. I whittled out so many words that this may no longer make sense.

    For another ultimate exile, here’s the Kingston Trio singing about poor old Charlie, riding forever ‘neath the streets of Boston.

    And all of this grew out of a quote I read the other morning about meteorites. Go figure.